5’12’’ OF AN ABSENT BODY Voice for web-based art work by Joana Chicau & Rebekka Kiesewetter
12’’ of an Absent Body is a web-based work transgressing into the physical space of the exhibition The House of Dust by Alison Knowles at CNEAI=, Magasins Généraux.
5’12’’ OF AN ABSENT BODY Voice for web-based art work by Joana Chicau & Rebekka Kiesewetter
12’’ of an Absent Body is a web-based work transgressing into the physical space of the exhibition The House of Dust by Alison Knowles at CNEAI=, Magasins Généraux.
THE IN/VISIBLE CITY: ReSITE 2017 conference unveils the infrastructural heart of urbanism
“But while the focus on infrastructure was a useful device for initiating these kinds of discussions, a danger of the approach is the predominance of an “above/below the bonnet” dichotomy; cities are not cars, nor are they computers. The speakers partaking at reSITE 2017 offered perspectives along a wide spectrum of architecture and urbanism.”
THE IN/VISIBLE CITY: ReSITE 2017 conference unveils the infrastructural heart of urbanism
“But while the focus on infrastructure was a useful device for initiating these kinds of discussions, a danger of the approach is the predominance of an “above/below the bonnet” dichotomy; cities are not cars, nor are they computers. The speakers partaking at reSITE 2017 offered perspectives along a wide spectrum of architecture and urbanism.”
MEDIATED SPACE – PUBLISHING, PRACTICE AND PLATFORMS: Curating architecture and the urban lecture series at TU Berlin
Talk delivered to students of Fakultät VI Institut Für Architektur at Technische Universität Berlin, as part of the Curating Architecture and the Urban lecture series.
MEDIATED SPACE – PUBLISHING, PRACTICE AND PLATFORMS: Curating architecture and the urban lecture series at TU Berlin
Talk delivered to students of Fakultät VI Institut Für Architektur at Technische Universität Berlin, as part of the Curating Architecture and the Urban lecture series.
TOGETHER! THE NEW ARCHITECTURE OF THE COLLECTIVE Ruby Press/Vitra Design Museum exhibition and catalogue
Picture research and editorial support for Together! The New Architecture of the Collective, Vitra Design Museum exhibition and accompanying catalogue published by Ruby Press, June 2017.
TOGETHER! THE NEW ARCHITECTURE OF THE COLLECTIVE Ruby Press/Vitra Design Museum exhibition and catalogue
Picture research and editorial support for Together! The New Architecture of the Collective, Vitra Design Museum exhibition and accompanying catalogue published by Ruby Press, June 2017.
EVERYTHING NOT SAVED WILL BE LOST: on digital archival project All Sources Are Broken
“Thinking of ASAB’s interest in obsolescence alongside the thematic frame of “ever elusive” brings to mind the manner in which Espen Aarseth, Principle Researcher at the Center for Computer Games Research at the IT University of Copenhagen, has spoken about hypertext, noting that its main feature “is discontinuity—the sudden displacement of the user’s position in the text.”
EVERYTHING NOT SAVED WILL BE LOST: on digital archival project All Sources Are Broken
“Thinking of ASAB’s interest in obsolescence alongside the thematic frame of “ever elusive” brings to mind the manner in which Espen Aarseth, Principle Researcher at the Center for Computer Games Research at the IT University of Copenhagen, has spoken about hypertext, noting that its main feature “is discontinuity—the sudden displacement of the user’s position in the text.”
STRATEGIES AGAINST ARCHITECTURE: What might anti-architecture mean in the post-industrial, digitised landscapes of 2017?
“Arguably, the ‘souls of our societies’ are drifting into the cloud, routed in physicality via the dispersed architecture of a thousand non-distinct (and often unmapped) server farms. What could ‘collapsing architecture’ in order to platz schaffen (make space) mean for artists working at the intersection of music and architecture today?”
STRATEGIES AGAINST ARCHITECTURE: What might anti-architecture mean in the post-industrial, digitised landscapes of 2017?
“Arguably, the ‘souls of our societies’ are drifting into the cloud, routed in physicality via the dispersed architecture of a thousand non-distinct (and often unmapped) server farms. What could ‘collapsing architecture’ in order to platz schaffen (make space) mean for artists working at the intersection of music and architecture today?”
TURTLES ALL THE WAY DOWN: Or, escape from infrastructure
“We shouldn’t think, as McLuhan once quipped, that just because we talk about something we are in favor of it,” Critical Media Lab’s Jamie Allen answers, when I ask him if the exhaustive use of the term “infrastructure” has rendered its meaning, well, elusive.
TURTLES ALL THE WAY DOWN: Or, escape from infrastructure
“We shouldn’t think, as McLuhan once quipped, that just because we talk about something we are in favor of it,” Critical Media Lab’s Jamie Allen answers, when I ask him if the exhaustive use of the term “infrastructure” has rendered its meaning, well, elusive.
