EVER ELUSIVE: transmediale 2017 festival magazine
“The program starts from the middle of the current development of forms of agency beyond the human, tracing the elusive relations between nature, culture, and technology. The programmatic sections are fluid, reflected in the structure of this magazine that provides contextual material relating to the month of activities that marks the thirtieth edition.”
EVER ELUSIVE: transmediale 2017 festival magazine
“The program starts from the middle of the current development of forms of agency beyond the human, tracing the elusive relations between nature, culture, and technology. The programmatic sections are fluid, reflected in the structure of this magazine that provides contextual material relating to the month of activities that marks the thirtieth edition.”
INFRASTRUCTURE SPACE: published by Ruby Press
“This book calls for expanding and renegotiating the roles of infrastructure not only as a technical, but also as a political, economic, social, and even aesthetic matter of concern for all, claimed not only as the means for achieving more resilient forms of development, but moreover as a right to a sustainable way of life.”
INFRASTRUCTURE SPACE: published by Ruby Press
“This book calls for expanding and renegotiating the roles of infrastructure not only as a technical, but also as a political, economic, social, and even aesthetic matter of concern for all, claimed not only as the means for achieving more resilient forms of development, but moreover as a right to a sustainable way of life.”
THE ALCHEMY OF THE WOR(L)D: Some ideas about plausible futures in architecture publishing
“The future of expertise will be defined by people and artificial cognitive systems working collaboratively… architecture, academia and the publishing industry should take note of this, and the sooner the better.”
THE ALCHEMY OF THE WOR(L)D: Some ideas about plausible futures in architecture publishing
“The future of expertise will be defined by people and artificial cognitive systems working collaboratively… architecture, academia and the publishing industry should take note of this, and the sooner the better.”
ARCHIFUTURES: print and digital publication series
Archifutures is a new field guide to the future of architecture.
ARCHIFUTURES: print and digital publication series
Archifutures is a new field guide to the future of architecture.
URGENT CITY: Urban Assets round table
I was a speaker at the round table on the theme of “urban assets” at UrgentCity, an event organised by Amateur Cities and New Generations, comprising two days of workshops and discussions on the vocabulary of urban challenges.
URGENT CITY: Urban Assets round table
I was a speaker at the round table on the theme of “urban assets” at UrgentCity, an event organised by Amateur Cities and New Generations, comprising two days of workshops and discussions on the vocabulary of urban challenges.
ON LEAVING THE GROUND BEHIND: Essay for Protocol magazine
“Thinking of de Certeau’s remark that “the desire to see the city precedes the means of satisfying it”, we’ve done so – but not in the way those architects who once chose the skyscraper as a tool to satisfying that need might have imagined. It used to be that to stand upon the desired object of the city, the ground, one had to forfeit the top-down, panoramic view of it. Not so anymore. Perhaps though, in our creating of a second, digital ground, the physical ground has lost some of its appeal – despite us having the best view of it that we’ve ever had.”
ON LEAVING THE GROUND BEHIND: Essay for Protocol magazine
“Thinking of de Certeau’s remark that “the desire to see the city precedes the means of satisfying it”, we’ve done so – but not in the way those architects who once chose the skyscraper as a tool to satisfying that need might have imagined. It used to be that to stand upon the desired object of the city, the ground, one had to forfeit the top-down, panoramic view of it. Not so anymore. Perhaps though, in our creating of a second, digital ground, the physical ground has lost some of its appeal – despite us having the best view of it that we’ve ever had.”
ARTIST PROFILE: Ingrid Burrington
“I think that one of the reasons that people were very interested in the premise of being able to “see” the internet on the street wasn’t necessarily because they were all that interested in the street, but because of an anxiety that there is nothing to hold in relation to how we live with technology.”
ARTIST PROFILE: Ingrid Burrington
“I think that one of the reasons that people were very interested in the premise of being able to “see” the internet on the street wasn’t necessarily because they were all that interested in the street, but because of an anxiety that there is nothing to hold in relation to how we live with technology.”
